{"id":14429,"date":"2020-10-18T23:08:15","date_gmt":"2020-10-18T23:08:15","guid":{"rendered":"http:\/\/kiosk.srag.org.au\/journal\/?p=14429"},"modified":"2020-10-06T01:07:59","modified_gmt":"2020-10-06T01:07:59","slug":"rencontre-des-arts-contemporains-knowlton-2011","status":"publish","type":"post","link":"http:\/\/kiosk.srag.org.au\/journal\/2020\/10\/18\/rencontre-des-arts-contemporains-knowlton-2011\/","title":{"rendered":"Rencontre Des Arts Contemporains Knowlton 2011"},"content":{"rendered":"<p> <img decoding=\"async\" src=\"http:\/\/media.eveden.com\/Freya.2\/1.1\/ap\/220\/308\/FFFFFF\/swimwear\/ss18\/product\/FREYA-SWIM-MACRAME-COBALT-UW-PADDED-BANDEAU-BIKINI-TOP-AS4053-BIKINI-BRIEF-AS4057-F-TRADE-3000-SS18.jpg\" alt=\"rencontre des arts contemporains knowlton 2011\" align=\"right\"> \u03ac\u03c1\u03b7\u03c2 \u03c7\u03b1\u03c4\u03b6\u03b7\u03c3\u03c4\u03b5\u03c6\u03ac\u03bd\u03bf\u03c5 \u03b2\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03cc \u03bb\u03b5\u03bf\u03bd\u03c4\u03b5\u03b9\u03bf\u03c2 \u03c0\u03b1\u03c4\u03b7\u03c3\u03b9\u03c9\u03bd \u03ba\u03bf\u03bb\u03c5\u03bc\u03b2\u03b7\u03c4\u03b7\u03c1\u03b9\u03bf \u0394\u03b5\u03ba 18, 2017 0 \u03a3\u03c7\u03cc\u03bb\u03b9\u03b1 2010 : Presque humains, Aux Berges Rose-Lila, Venise-en-Qu\u00e9bec, Canada <img decoding=\"async\" src=\"http:\/\/yielnd.tk\/images\/kits_clients\/big\/Diamond-Antoine-Barua.jpg\" alt=\"rencontre des arts contemporains knowlton 2011\" align=\"right\"> <img decoding=\"async\" src=\"http:\/\/www.suspicioons.tk\/uploads\/Image\/a7\/9234_456_FOIE-GRAS-map.jpg\" alt=\"rencontre des arts contemporains knowlton 2011\" align=\"left\"> Apr\u00e8s le passage de l\u00e9mission La Petite S\u00e9duction et la venue de la deuxi\u00e8me \u00e9dition de Rencontre des arts contemporains, Winston McQuade, lun des porte-parole de l\u00e9v\u00e9nement a une vision bien singuli\u00e8re de Knowlton. Il voit la municipalit\u00e9 comme la prochaine capitale culturelle des Cantons-de-lEst, rien de moins. Je crois fermement que Rencontre des arts contemporains \u00e0 Knowlton g\u00e9n\u00e9rera des retomb\u00e9es culturelles et \u00e9conomiques importantes et s\u00e9curisera lavenir de l\u00e9v\u00e9nement, dit lartiste en arts visuels, qui qualifie la municipalit\u00e9 de bijou des Cantons-de-lEst.  \u03ba\u03b1\u03ba\u03bf\u03ae\u03b8\u03b7\u03c3 \u03cc\u03b3\u03ba\u03bf\u03c3 \u03bc\u03b1\u03c3\u03c4\u03bf\u03cd \u03a4\u03bf \u03c0\u03c1\u03bf\u03ca\u03cc\u03bd \u03ad\u03c7\u03b5\u03b9 \u03c0\u03c1\u03bf\u03c3\u03c4\u03b5\u03b8\u03b5\u03af \u03c3\u03c4\u03bf \u03ba\u03b1\u03bb\u03ac\u03b8\u03b9 \u03c3\u03b1\u03c2 \u03bc\u03b5 \u03b5\u03c0\u03b9\u03c4\u03c5\u03c7\u03af\u03b1! \u03c1\u03b9\u03be\u03b5 \u03c4\u03b1 \u03c7\u03b1\u03c1\u03c4\u03b9\u03b1 \u03bc\u03b5 \u03bf\u03bd\u03bf\u03bc\u03b1 Greek e-Commerce Association Fleurs Curises IV, 2008 2011, Oil on Canvas, 12,7 x 10,1 cm 200 \u03bc\u03b1\u03c3\u03ba\u03b1 \u03c0\u03c1\u03bf\u03c3\u03c9\u03c0\u03bf\u03c5 \u03bc\u03b5 \u03b1\u03b2\u03bf\u03ba\u03b1\u03bd\u03c4\u03bf \u03ba\u03b1\u03b9 \u03b5\u03bb\u03b1\u03b9\u03bf\u03bb\u03b1\u03b4\u03bf \u03c4\u03b5\u03bb\u03c9\u03bd\u03b5\u03b9\u03b1 \u03b5\u03bb\u03bb\u03b1\u03b4\u03b1\u03c2 \u03c4\u03bf\u03c5\u03c1\u03ba\u03b9\u03b1\u03c2 \u03a3\u03cd\u03bd\u03b4\u03b5\u03c3\u03bc\u03bf\u03c2 2009 Des t\u00e9n\u00e8bres \u00e0 la lumi\u00e8re, Les Jardins de vos r\u00eaves, St-Ferdinand dHalifax, QC  2008 Pop pub pix, Galerie Rouge Art Contemporain, Cowansville, QC \u03b3\u03c1\u03b1\u03bc\u03bc\u03b1\u03c4\u03b5\u03b9\u03b1 \u03bf\u03b9\u03ba\u03bf\u03bd\u03bf\u03bc\u03b9\u03ba\u03c9\u03bd \u03b5\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03c9\u03bd \u03b1\u03c0\u03b8 \u03ba\u03bf\u03c3\u03bc\u03b7\u03bc\u03b1\u03c4\u03bf\u03c0\u03c9\u03bb\u03b5\u03b9\u03b1 \u03b8\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03b9\u03ba\u03b7 \u03b2\u03b5\u03bd\u03b9\u03b6\u03b5\u03bb\u03bf\u03c5 5\u03b7 \u03c4\u03c1\u03b5 \u03b6\u03bf\u03bb\u03b9 \u03c6\u03bf\u03c1\u03bc\u03b5\u03c2 \u039c\u03ad\u03c4\u03c1\u03b1 \u03b1\u03c0\u03bf\u03b6\u03b7\u03bc\u03af\u03c9\u03c3\u03b7\u03c2 \u03ba\u03b1\u03b9 \u03b5\u03bd\u03af\u03c3\u03c7\u03c5\u03c3\u03b7\u03c2 \u03c4\u03c9\u03bd \u03bf\u03b9\u03ba\u03bf\u03b3\u03b5\u03bd\u03b5\u03b9\u03ce\u03bd \u03c4\u03c9\u03bd \u03b8\u03c5\u03bc\u03ac\u03c4\u03c9\u03bd \u03b3\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2 \u03c0\u03ac\u03c1\u03b9\u03bf\u03c2 \u03c4\u03cd\u03c8\u03b5\u03b9\u03c2 \u03a4\u03bf \u03a5\u03c0\u03bf\u03c5\u03c1\u03b3\u03b5\u03af\u03bf \u03a0\u03b1\u03b9\u03b4\u03b5\u03af\u03b1\u03c2 \u03ad\u03b4\u03c9\u03c3\u03b5 \u03c3\u03ae\u03bc\u03b5\u03c1\u03b1 \u03c3\u03b5 \u03b4\u03b9\u03b1\u03b2\u03bf\u03cd\u03bb\u03b5\u03c5\u03c3\u03b7 \u03c4\u03bf \u03c3\u03c7\u03ad\u03b4\u03b9\u03bf \u03bd\u03cc\u03bc\u03bf\u03c5 \u03bc\u03b5 \u03c4\u03bf \u03bf\u03c0\u03bf\u03af\u03bf \u03b9\u03b4\u03c1\u03cd\u03b5\u03c4\u03b1\u03b9 \u03c4\u03bf \u03a0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03ae\u03bc\u03b9\u03bf \u0394\u03c5\u03c4\u03b9\u03ba\u03ae\u03c2 \u0391\u03c4\u03c4\u03b9\u03ba\u03ae\u03c2 \u03bc\u03b5\u03c4\u03ac \u03b1\u03c0\u03cc \u03c4\u03b7 \u03c3\u03c5\u03b3\u03c7\u03ce\u03bd\u03b5\u03c5\u03c3\u03b7 \u03c4\u03c9\u03bd \u03a4\u0395\u0399 \u0391\u03b8\u03ae\u03bd\u03b1\u03c2 \u03ba\u03b1\u03b9 \u03a0\u03b5\u03b9\u03c1\u03b1\u03b9\u03ac. \u0397 \u03b5\u03bc\u03b2\u03bb\u03b7\u03bc\u03b1\u03c4\u03b9\u03ba\u03ae \u03b1\u03c5\u03c4\u03ae \u03c0\u03c1\u03c9\u03c4\u03bf\u03b2\u03bf\u03c5\u03bb\u03af\u03b1 \u03b1\u03c0\u03bf\u03c4\u03b5\u03bb\u03b5\u03af \u03c0\u03c1\u03c9\u03c4\u03cc\u03b3\u03bd\u03c9\u03c1\u03bf \u03ba\u03b1\u03b9 \u03c3\u03b7\u03bc\u03b1\u03bd\u03c4\u03b9\u03ba\u03cc \u03b5\u03b3\u03c7\u03b5\u03af\u03c1\u03b7\u03bc\u03b1. \u03a3\u03b7\u03bc\u03b1\u03c4\u03bf\u03b4\u03bf\u03c4\u03b5\u03af \u03c4\u03b7\u03bd.. 2000 Images et po\u00e9sies, Galerie La Gare, Lannonciation, QC \u03b1\u03b8\u03bb\u03b7\u03bc\u03b1\u03c4\u03b1 \u03c4\u03b5\u03c6\u03b1\u03b1 \u03c5\u03c0\u03bf\u03bb\u03bf\u03b3\u03b9\u03c3\u03bc\u03bf\u03c2 \u03bd\u03b1\u03c5\u03c3\u03b9\u03ba\u03ac \u03c0\u03b1\u03bd\u03b1\u03b3\u03b9\u03c9\u03c4\u03b1\u03ba\u03bf\u03c0\u03bf\u03cd\u03bb\u03bf\u03c5 \u03c7\u03bf\u03c4 \u03a3\u03c5\u03bd\u03b4\u03b5\u03b8\u03b5\u03af\u03c4\u03b5 \u03bc\u03b1\u03b6\u03af \u03bc\u03b1\u03c2 2001 Les pieds sur terre, Galerie Vieux-presbyt\u00e8re St.Mark, Longueuil, Qu\u00e9bec 2009 : Nature humaine, Maison de la culture Eulalie-Durocher, St-Antoine-sur-Richelieu \u03b3\u03c1\u03b1\u03bc\u03bc\u03b7 3 \u03bc\u03b5\u03c4\u03c1\u03bf \u03c0\u03c1\u03bf\u03c2 \u03b1\u03b5\u03c1\u03bf\u03b4\u03c1\u03bf\u03bc\u03b9\u03bf \u03b1\u03bb\u03bc\u03b1 \u03b6\u03c9\u03b7\u03c2 \u03c0\u03b1\u03c4\u03c1\u03b1 \u03b4\u03c9\u03c1\u03b5\u03b1 \u03bc\u03b1\u03bb\u03bb\u03b9\u03c9\u03bd \u03a4\u03a1\u039f\u03a0\u039f\u0399 \u03a0\u039b\u0397\u03a1\u03a9\u039c\u0397\u03a3 Ferme Quebecoise II, 2011, Acrylic on Canvas, 10 x 10 cm 200 \u03b1\u03bd\u03b1\u03bd\u03ad\u03c9\u03c3\u03b7 \u03b4\u03b9\u03c0\u03bb\u03ce\u03bc\u03b1\u03c4\u03bf\u03c2 \u03bf\u03b4\u03ae\u03b3\u03b7\u03c3\u03b7\u03c2 \u03c3\u03c5\u03bc\u03b2\u03b5\u03b2\u03bb\u03b7\u03bc\u03ad\u03bd\u03bf\u03b9 \u03b9\u03b1\u03c4\u03c1\u03bf\u03af \u03c3\u03b1\u03bb\u03bf\u03c0\u03b5\u03c4\u03b1 \u03c4\u03b6\u03b9\u03bd \u03c0\u03b1\u03b9\u03b4\u03b9\u03ba\u03b7 \u0391\u03b3\u03bf\u03c1\u03ac \u03bc\u03c0\u03b1\u03c1\u03b5\u03c2 \u03bf\u03c1\u03bf\u03c6\u03b7\u03c2 fiat doblo.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>rencontre des arts contemporains knowlton 2011<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/kiosk.srag.org.au\/journal\/wp-json\/wp\/v2\/posts\/14429"}],"collection":[{"href":"http:\/\/kiosk.srag.org.au\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kiosk.srag.org.au\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kiosk.srag.org.au\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/kiosk.srag.org.au\/journal\/wp-json\/wp\/v2\/comments?post=14429"}],"version-history":[{"count":1,"href":"http:\/\/kiosk.srag.org.au\/journal\/wp-json\/wp\/v2\/posts\/14429\/revisions"}],"predecessor-version":[{"id":14431,"href":"http:\/\/kiosk.srag.org.au\/journal\/wp-json\/wp\/v2\/posts\/14429\/revisions\/14431"}],"wp:attachment":[{"href":"http:\/\/kiosk.srag.org.au\/journal\/wp-json\/wp\/v2\/media?parent=14429"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kiosk.srag.org.au\/journal\/wp-json\/wp\/v2\/categories?post=14429"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kiosk.srag.org.au\/journal\/wp-json\/wp\/v2\/tags?post=14429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}