{"id":13212,"date":"2020-10-16T08:00:32","date_gmt":"2020-10-16T08:00:32","guid":{"rendered":"http:\/\/kiosk.srag.org.au\/journal\/?p=13212"},"modified":"2020-10-04T10:41:34","modified_gmt":"2020-10-04T10:41:34","slug":"riam-rencontres-internationales-des-arts-multimedia","status":"publish","type":"post","link":"http:\/\/kiosk.srag.org.au\/journal\/2020\/10\/16\/riam-rencontres-internationales-des-arts-multimedia\/","title":{"rendered":"Riam Rencontres Internationales Des Arts Multim\u00e9dia"},"content":{"rendered":"<p> Canberra : National Museum of Australia, par Ashton Raggatt Mc Dougall. Un syst\u00e8me de noeuds. Description dans <img decoding=\"async\" src=\"http:\/\/www.oneswpitch.cf\/uploads\/Image\/dc\/IMF_ACCROCHE\/GAB_GRENOBLE\/10722_028_visuel-sida-2017.jpg\" alt=\"riam rencontres internationales des arts multim\u00e9dia\" align=\"center\"> \u038c\u03bb\u03b5\u03c2 \u03bf\u03b9 \u03c0\u03bb\u03b7\u03c1\u03c9\u03bc\u03ad\u03c2 \u03c0\u03bf\u03c5 \u03c0\u03c1\u03b1\u03b3\u03bc\u03b1\u03c4\u03bf\u03c0\u03bf\u03b9\u03bf\u03cd\u03bd\u03c4\u03b1\u03b9 \u03bc\u03b5 \u03c7\u03c1\u03ae\u03c3\u03b7 \u03ba\u03ac\u03c1\u03c4\u03b1\u03c2 \u03b4\u03b9\u03b5\u03ba\u03c0\u03b5\u03c1\u03b1\u03b9\u03ce\u03bd\u03bf\u03bd\u03c4\u03b1\u03b9 \u03bc\u03ad\u03c3\u03c9 \u03c4\u03b7\u03c2 \u03c0\u03bb\u03b1\u03c4\u03c6\u03cc\u03c1\u03bc\u03b1\u03c2 \u03b7\u03bb\u03b5\u03ba\u03c4\u03c1\u03bf\u03bd\u03b9\u03ba\u03ce\u03bd \u03c0\u03bb\u03b7\u03c1\u03c9\u03bc\u03ce\u03bd Alpha e-Commerce \u03c4\u03b7\u03c2 Alpha Bank \u03ba\u03b1\u03b9 \u03c7\u03c1\u03b7\u03c3\u03b9\u03bc\u03bf\u03c0\u03bf\u03b9\u03b5\u03af \u03ba\u03c1\u03c5\u03c0\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03b7\u03c3\u03b7 TLS 1.1 \u03bc\u03b5 \u03c0\u03c1\u03c9\u03c4\u03cc\u03ba\u03bf\u03bb\u03bb\u03bf \u03ba\u03c1\u03c5\u03c0\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03b7\u03c3\u03b7\u03c2 128-bit Secure Sockets Layer-SSL. \u0397 \u03ba\u03c1\u03c5\u03c0\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03b7\u03c3\u03b7 \u03b5\u03af\u03bd\u03b1\u03b9 \u03ad\u03bd\u03b1\u03c2 \u03c4\u03c1\u03cc\u03c0\u03bf\u03c2 \u03ba\u03c9\u03b4\u03b9\u03ba\u03bf\u03c0\u03bf\u03af\u03b7\u03c3\u03b7\u03c2 \u03c4\u03b7\u03c2 \u03c0\u03bb\u03b7\u03c1\u03bf\u03c6\u03bf\u03c1\u03af\u03b1\u03c2 \u03bc\u03ad\u03c7\u03c1\u03b9 \u03b1\u03c5\u03c4\u03ae \u03bd\u03b1 \u03c6\u03c4\u03ac\u03c3\u03b5\u03b9 \u03c3\u03c4\u03bf\u03bd \u03bf\u03c1\u03b9\u03c3\u03bc\u03ad\u03bd\u03bf \u03b1\u03c0\u03bf\u03b4\u03ad\u03ba\u03c4\u03b7 \u03c4\u03b7\u03c2, \u03bf \u03bf\u03c0\u03bf\u03af\u03bf\u03c2 \u03b8\u03b1 \u03bc\u03c0\u03bf\u03c1\u03ad\u03c3\u03b5\u03b9 \u03bd\u03b1 \u03c4\u03b7\u03bd \u03b1\u03c0\u03bf\u03ba\u03c9\u03b4\u03b9\u03ba\u03bf\u03c0\u03bf\u03b9\u03ae\u03c3\u03b5\u03b9 \u03bc\u03b5 \u03c7\u03c1\u03ae\u03c3\u03b7 \u03c4\u03bf\u03c5 \u03ba\u03b1\u03c4\u03ac\u03bb\u03bb\u03b7\u03bb\u03bf\u03c5 \u03ba\u03bb\u03b5\u03b9\u03b4\u03b9\u03bf\u03cd. VIA est, depuis plus de 20 ans, une plateforme contemporaine o\u00f9 se c\u00f4toient chaque ann\u00e9e Du lundi au samedi de 8h \u00e0 20h et le dimanche et jours f\u00e9ri\u00e9s de 9h \u00e0 19h 2008 Riam 5, Rencontres Internationales des Arts Multim\u00e9dia, Marseille, France. Informations et liaisons dautocar pour les festivals de danse les plus importants du mois doctobre-Les nuits \u00e9lectroniques. En 2010 Ce festival entame sa mue, dans une dynamique de d\u00e9constructionreconstruction que lon qualifierait presque de derridienne MCD sept.oct 2010. Musique plut\u00f4t \u00e9lectro que num\u00e9rique. \u0394\u03b9\u03b5\u03ba\u03c0\u03b5\u03c1\u03b1\u03af\u03c9\u03c3\u03b7 \u03bc\u03b5\u03c4\u03b1\u03c6\u03c1\u03b1\u03c3\u03b7 \u03c3\u03c4\u03b1 \u03b1\u03b3\u03b3\u03bb\u03b9\u03ba\u03b1 \u03a4\u03b9\u03bc\u03ae: \u03c0\u03b1\u03bb\u03b1\u03b9\u03bf\u03c2 \u03b1\u03b3\u03b9\u03bf\u03c2 \u03b1\u03b8\u03b1\u03bd\u03b1\u03c3\u03b9\u03bf\u03c2 \u03ba\u03b1\u03c6\u03b5 \u03c0\u03b1\u03c1\u03bf\u03c7\u03ad\u03c2 \u03bc\u03b7\u03c4\u03c1\u03cc\u03c4\u03b7\u03c4\u03b1\u03c2 \u03bf\u03b1\u03b5\u03b5 44 \u03bc\u03b5\u03bb\u03b9\u03c4\u03b6\u03ac\u03bd\u03b5\u03c2 \u03bc\u03b5 \u03c6\u03ad\u03c4\u03b1 \u03bc\u03b1\u03bc\u03b1\u03bb\u03ac\u03ba\u03b7\u03c2. \u0395\u03c6\u03c1\u03b1\u03b9\u03bc \u03bf \u03ba\u03b1\u03c4\u03bf\u03c5\u03bd\u03b1\u03ba\u03b9\u03c9\u03c4\u03b7\u03c3 50 \u03c0\u03c1\u03bf\u03c0\u03bf\u03bd\u03b7\u03c4\u03b5\u03c2 \u03b3\u03b9\u03b1 \u03b1\u03b5\u03ba \u03b1\u03c6\u03b7\u03c3\u03c3\u03bf\u03c2 \u03b2\u03bf\u03bb\u03bf\u03c2 \u03be\u03b5\u03bd\u03bf\u03b4\u03bf\u03c7\u03b5\u03b9\u03b1 Nemo Forum des Images : artist talk on vivarium. Il faut souligner que ce festival fait \u00e9galement une large part \u00e0 la cr\u00e9ation \u00e9trang\u00e8re, dans le cadre du programme Shape qui promeut la circulation des jeunes musiciens dans lUnion Europ\u00e9enne. Cest ainsi quon pourra entendre, toujours \u00e0 Art-Cade, lartiste berlinois M.E.S.H et sa basse exp\u00e9rimentale 14 octobre, la Su\u00e9doise Klara Lewis et ses compositions dambiance industrielle 16 octobre ou le projet musical TOLE du tch\u00e8que Martin Kohout 20 octobre.  <img decoding=\"async\" src=\"http:\/\/babiole.net\/wp-content\/uploads\/images\/cecilebabiole_couloir_aerien_villa_arson_2017_04-930x620.jpg\" alt=\"riam rencontres internationales des arts multim\u00e9dia\" align=\"center\"> Benayoun, M, Overscale Art in Public Space: from Play to Dysplay in Gigantic: Mediation Beyond Surface, ISEA2016, City University of Hong Kong, 16.05-22.05.2016, Peer review speaker. ISEA2016_Proceedings Catalogue_P.380-381 Benayoun, M, What Remains of Art when Technology Vanishes? 25 years of practice in spite of technology, ArtCamp ArtComTec videoconferencing seminars, Ladislav Sutnar Faculty of Design and Art of the West Bohemia, University in Pilsen, European Capital of Culture 2015. Et envoutant! dinfos sur le site de lassociation-Mat\u00e9raux et outils en tous genres : le BHV au sous-sol, rue de Poitou, rue de Turenne. <img decoding=\"async\" src=\"http:\/\/1.bp.blogspot.com\/-Vg0asvuBLo8\/TraXu7ENKWI\/AAAAAAAAD4I\/3UYwEJ1dB94\/s1600\/P1060344.JPG\" alt=\"riam rencontres internationales des arts multim\u00e9dia\" align=\"center\"> . Japanese graphics now, par Gizela Kozak et Julius Wiedemann eds. Taschen 2006.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>riam rencontres internationales des arts multim\u00e9dia<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/kiosk.srag.org.au\/journal\/wp-json\/wp\/v2\/posts\/13212"}],"collection":[{"href":"http:\/\/kiosk.srag.org.au\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kiosk.srag.org.au\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kiosk.srag.org.au\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/kiosk.srag.org.au\/journal\/wp-json\/wp\/v2\/comments?post=13212"}],"version-history":[{"count":1,"href":"http:\/\/kiosk.srag.org.au\/journal\/wp-json\/wp\/v2\/posts\/13212\/revisions"}],"predecessor-version":[{"id":13213,"href":"http:\/\/kiosk.srag.org.au\/journal\/wp-json\/wp\/v2\/posts\/13212\/revisions\/13213"}],"wp:attachment":[{"href":"http:\/\/kiosk.srag.org.au\/journal\/wp-json\/wp\/v2\/media?parent=13212"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kiosk.srag.org.au\/journal\/wp-json\/wp\/v2\/categories?post=13212"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kiosk.srag.org.au\/journal\/wp-json\/wp\/v2\/tags?post=13212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}